The publication element of unedited works as a physical extension of the campaign, allowing the ideas behind censorship, control and edited language to be explored in more depth. Instead of functioning like a traditional book or magazine, the publication uses fragmented text, redactions, missing information and disrupted layouts to reflect how media and digital platforms filter what audiences see.

 

I wanted readers to experience the feeling of searching for meaning within incomplete information, forcing them to slow down and question what has been removed or altered. The publication also gave me the opportunity to experiment with editorial design, typography and pacing in a more controlled format, while still keeping the confrontational and public-facing tone that runs throughout the wider unedited project.